Cecil Raimund goes to Arkansas to the Seyton Plantation to spend time with his twin cousins Alan (Ally) and Sally. In the two weeks covered by the novel, Cecil helps the twins solve the mystery of the KKK scaring people. It turns out that Dawsey has been counterfeiting for the last five years, and while they suspect he's the one parading as the KKK, it turns out that Aunt Valley, a local conjure woman, and Larry, Dawsey's nephew, pretended to be KKK hoping it would lead to Dawsey being arrested for moonshining or lynched by the black people in the area.
The book is very much a "juvenile novel" as McMichaels indicates, as the kids are the ones who solve the mysteries. Larry confesses to the trickery after Dawsey is dead because Dawsey accused Cobbs of conspiring with him to ride as the KKK as he's dying. There is some discussion in the novel of whether Cobbs is racist, which adds some credibility to Dawsey's "confession." Ultimately, the truth is revealed and things are tidy and neat for the most part--the kids are rewarded. Larry gets to live with Cobbs, Ally and Cecil become the best of friends (in a mirroring relationship of the one between Raimund and Seyton), and Sally gets $500 for her shrewd detective work.
The title is echoed in two passages in the book. First, by Colonel Seyton after things have calmed down and Cobbs is no longer under suspicion. Basically, Seyton praises everyone involved in the resolution of the story, not just his own children (although Sally is the best detective of them all).
"'This is just in time for a toast,' said he. 'Cobbs, here's your glass, man. 'WE ALL, East AND WEST, NORTH AND South! To our better acquaintance, because that means to our better and closer and dearer friendship.'" (Thanet, p. 271).
Cecil, being from Chicago, thinks of himself as a northerner and spends the early parts of the novel thinking that his Arkansas cousins are simple and poor. He assumes he can better them at just about everything, including hunting. During a hog hunt he and Ally are not supposed to be on, Cecil faces a wild boar and thinks he can kill it with his revolver. Cobbs and Ally shoot the boar before it can get to Cecil, and he's humbled by it. Ally assures him that had they not intervened, Cecil surely would have felled the hog himself. The final paragraph of the book echoes the title and is reminiscent of the hog hunt, as well as the solving of the mystery and Cecil growing up.
"Meanwhile, it is like Cis, who is fond of trinkets and dunnery, to wear a fob-seal, on which is engraved a wild boar's head and the letters 'W. A.'. The head is a reminiscence of another hog-fight, where Cis did kill the boar, and the letters stand for WE ALL."
Overlap with Expiation:
The summary in the above letter is spot on; the novel focuses on young Fairfax Rutherford, who has been living abroad with the uncle he was named for. He returns to his father's plantation in Arkansas and is immediately caught up on the robbery scheme and captured. His shame happens when he first reveals Parson Collins has the money; he feels guilty about revealing that, but is even more horrified when he thinks he's shot Collins after being burned with hot coals from the fire.
The story works itself out; we later find that Collins is not only alive, but also that it wasn't Fairfax who shot him after all--it was Lige, who was aiming for Dick Barnabas, leader of the guerillas.
Setting: The area around the Montaigne Plantation on the Black River. McMichaels notes it is set in 1864 (p. 118).
Adele is the first to use the word "expiation" when talking to Fair about his guilt:
"God won't hold you guilty for that. And even say you were guilty, guilty of the worst--well, what then? Does repentance mean despair or expiation? 'Bring forth fruits,' the apostle says, God will not despise a broken and a contrite heart: but if such a heart doesn't lead us to do something" (Thanet, p. 126).
Adele continues on pages 127-128 to tell Fairfax he should stay in Arkansas and do right by Parson Collins: "you haven't any right to desert it. And because it is ruined and miserable, that's the more reason you should try to help. If you want to make amends to Mr. Collins, to Unk ' Ralph—they love this poor country--stay here and help them try to save it. Oh, you know, you know how Unk ' Ralph has struggled to improve this place, to get better roads and better houses and some way civilize the people; and you know how Mr. Collins helped him. If you want to make amends to Mr. Collins, to Unk ' Ralph—they love this poor country-stay here and help them try to save it. Oh, you know, you know how Unk ' Ralph has struggled to improve this place, to get better roads and better houses and some way civilize the people; and you know how Mr. Collins helped him. If you want to make amends--please, Cousin Fair, excuse the plain way I talk--then help to rid the country of the graybacks, and get in provisions, and keep peace now, and the rest will come in time . That —that will be expiation; [emphasis mine] but to lie here and die of shame—if you do , do you know what I say? Cousin Fair, you weren't a coward, but you are!"
This is a central theme as Fairfax feels the need to fit his father's image of a real man. His brothers have died, and Fairfax is the sole heir left. When Barnabas says he was a coward, it crushes Fairfax and makes the relationship with his father strained (until the truth comes out).
Fairfax is a bit of a dandy, but not necessarily in a bad way. While he has funny clothes and is softer than men in the Arkansas Swamps, those traits are not seen as a failing. At the end of the novel, his refinement is mentioned and becomes a bit of an issue for Adele who thinks she can never be quite refined enough for him, but Adele winds up liking his sense of fashion and his cleanliness.
On page 81, we see that Fairfax was always sensitive to fear and that even as kids Adele had a stronger sense of rationality--see below regarding childhood tales of conjure men and headless cats. Adele didn't believe they were real, but Fairfax did.
Aunt Hizzie: She's treated as a caricature. "Aunt Hizzie, in her white turban (economically made out of a castaway flour-sack ), with a blue apron try ing to define a waist for her rotund shape, was always a figure in the gallery when dinner was under way" (Thanet, p. 30), Her method of communication is to holler at people.
Barnabas: This issue comes up not only with Hizzie and other enslaved people of color in the book but also in terms of Dick Barnabas who is described as having a "sharp profile with thin lips, curved nose, hollow cheeks, a sweeping mustache, and inky locks of hair, straight and coarse enough to warrant the common taunt that 'all of Dick Barnabas wasn't Jew was mean Injun'" (Thanet, p. 66).
Early on, Colonel Rutherford is telling his wife the story of Ma'y June and says, "Dick, he was renting of me then, am - mean Jew Injun, same like he is now, and getting most his livelihood swapping horses" (Thanet, p. 41).
Thanet contrasts Barnabas and Fairfax: "Their eyes met; the cruel old-race black ones, the frank brown eyes of the Anglo-American; the glitter in each crossed under the torch-rays like sword-blades , but it was the brown flash that wavered" (Thanet, p. 75). Also, Thanet uses the word "injun" again when Lige tells Sam "he had a mind to kick, but he warn't no injun, by ____" (Thanet, p. 78).
"in spite of his seeming apathy, Dick's Indian blood was at boiling-point. Lige stood in front of the open window; before he had time to realize the situation he found himself sprawling on the ground outside" (Thanet, p. 92).
Magic of the Swamps:
Mose has freedom to travel the swamps and communicates with animals.
The homestead of the French LaRouge who was killed by Barnabas and his men is the "magical" and haunted spot that Barnabas uses as home base: "on the mound to the right , which was a forgotten chief's last show of pride , an old Frenchman had built him a log cabin , where he lived alone" (Thanet, p. 77). . . "Dick told them that he chose the place because it was a spot held accursed and haunted" (Thanet, p. 78).
Conjuring is mentioned when Fairfax remembers tales he was told as a child to keep him in line: "How they terrified him! That one, of the big conjure-men who threw lizards into Mammy's mother so that she died-but that was not so frightful as the one about the little black cat without a head that would come and sit by a 'mean' boy's bed and purr and purr; and , if the boy should make the least bit of noise, would leap on the bed and rub its dreadful neck against him. What a ghastly fancy! Why must he remember it now?" (Thanet, p. 81). The "now" in question is when Barnabas takes him to LaRouge's ruins.
"Aunt Tennie Marlow was well enough known to Fair. She was an old and very black negress who enjoyed a great name as a bone-setter, knew a heap' baout beastis,” ushered all the babies of the neighborhood into the world, and on the strength of these gifts and of living alone was suspected to be a “conjure woman" (Thanet, p. 163).
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About this project:
I've been saying since 2004 that I was going to write a critical biography of Octave Thanet (Alice French). This blog is the start of that work and will include notes, links to research, and other OT related tidbits.